"When you're working with a horse, you're in a flow; it's all energy. It's all about proximity and body language...and how you read your horse, adjusting yourself relative to that. Then it's a phenomenal flow and that's a great blessing."

By Christina Pivarnik, Allen Guisinger and Andrew Shier
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Christina Pivarnik: It’s always lovely to be together. Good morning, good afternoon, and good evening! Andrew, Allen and I welcome all of you. We’ve been having a great time preparing for this hour together. To begin, we’d like to share some videos with you. 

Opening slide presentation

Excerpt of Uranda’s August 5, 1953 class

It’s quite a privilege to have Uranda introduce our time together today! I’m sure we all sense his vibrant spirit with us in this moment. This was an excerpt from a class given on August 5, 1953, entitled, “The Way to Serve—Horse Training.” He used the analogy of training a horse to working with those awakening, emphasizing trust, patience, and confidence. And in his last point, he stressed letting love cast out all fear. Love is always the answer, with both horses and people. 

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There is this sense of being called to something new, something more. It’s not denying anything we’ve known that’s true, but is calling us higher so we can be more effective in this new terrain.

by Marsha Bogolin and Yujin Pak
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Marsha Bogolin: It’s such a delight to see all of you! I think this is the first time that Yujin and I are speaking for a Tone of Life service, and we’re so grateful for the opening that led to this opportunity. I’ve been noticing in recent months a similar thread coming through a number of us. It’s as if, in our personal communion with the Most High, we’re sensing a similar compulsion, and sometimes even similar themes. Last month in Larry’s and Joyce’s Tone of Life service there were so many similarities with what Yujin had said in the Korean service just fifteen hoursbefore, it was striking. I’m sure they had no idea what Yujin said and yet all three of them spoke of the peak experience. And that’s just one example. Joyce spoke of “quantum entanglement” —the state of one instantly affecting the state of another, even at great distances. Was this similarity quantum entanglement, or were they hearing a similar message in Heaven’s higher energy field that Larry described?

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" "We make the invisible visible through our expression in our living." "

by John and Pamela Gray
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John Gray: It is exceedingly good to be together in this way! These live-via-Zoom service gatherings are potent times. Temporarily, at least, our individual creative fields merge and coordinate to accommodate the manifestation of love and truth on a rather vast scale. Most of us have at least three of these experiences each month, and quite a few of us participate in a variety of other virtual gatherings as well. I like that word, virtual; although it’s used in other ways in the modern manmade world, the root of it is the same as the word, virtue: integrity, righteousness, worth. When we gather like this, we magnify these and other qualities of the spirit of love.

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"The more coherent the observer is, the more refined and unified the observed reality becomes. (What we express, we know!)"

by Larry and Joyce Krantz
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Larry Krantz: Today, Joyce and I would like to consider the magic of consciousness. To begin our time, here is an excerpt from a video that I find quite remarkable. It shows a portion of a love theme played by an orchestra in Hong Kong. The amazing part is that the featured pianist is a three-year-old boy. Here it is: https://toneoflife.org/recordings/Baby-Barron.mp4

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' "...we know that the Creator creates and forms come and go as they must." '

by Volker Brendel and Sanford Baran
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Volker Brendel: Hello, friends! It’s a great pleasure to be with you. It’s been about seven years since I last was in Colorado; it was about time to return. The first impression coming back is that you see familiar sights, street names, and so forth. The airport looks the same. I-25 is still a mess. And, of course, there are the majestic Rocky Mountains—to my eyes, unchanged. Rock solid, you might say. It’s comforting to have some things that can be relied on that don’t change or at least don’t change rapidly.

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"So, what does it mean to live in a collective Creator-Being consciousness?"

by Sanford Baran, Chris Jorgensen and John Gray
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Sanford Baran: I’d like to provide some context around the last piece of pre-service music, Goin’ Home, beautifully performed by the South London boys’ choral ensemble Libera. The famous melody comes from the second movement of Antonin Dvorak’s New World Symphony. William Arms Fisher, one of Dvorak’s students at the National Conservatory, wrote the lyrics in 1922, nearly three decades after the symphony premiered at Carnegie Hall. https://toneoflife.org/recordings/Libera-Going-Home.mp4

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